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This area allows you to search for and learn about artifacts published by the Sardis Expedition. Currently (2020) the database consists of artifacts in the exhibition and catalog “The Lydians and Their World” (Yapı Kredi Vedat Nedim Tör Museum, Istanbul, 2010); Judith Schaeffer, Nancy Hirschland Ramage, and Crawford H. Greenewalt, jr., Sardis M10: Corinthian, Attic, and Lakonian Pottery; Jane Evans, Sardis M13: Coins from the Excavations at Sardis: Their Archaeological and Economic Contexts; Georg Petzl, Sardis M14: Greek and Latin Inscriptions, Part II: Finds from 1958 to 2017; G.M.A. Hanfmann ve N.H. Ramage, Sardis R2: Sculpture from Sardis: The Finds through 1975; and A. Ramage, N.H. Ramage, ve Gül Gürtekin-Demir, Sardis R8: Ordinary Lydians at Home: The Lydian Trenches of the House of Bronzes and Pactolus Cliff at Sardis. In coming years we intend to add objects from other Sardis Reports and Monographs.

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Select an object type from the list below. Certain object types (including architectural terracottas, coins, pottery, sculpture) include subtypes (shape and ware of pottery, denomination and mint of coins) to refine your search.

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Refine Inscription

Select the language of inscribed texts from the list below.

Refine Metalwork

Refine Pottery

Refine Sculpture

Refine Architectural Terracotta

Select a material from the list below.

Select a museum from the list below.

Select a Sardis CATNUM from the list below. CATNUM is made up from object type, year, and sequential number. BI = Bone Implement; G = Glass; J = Jewelry; L = Lamp; M = Metal; NoEx = not excavated; Org = Organic; P = Pottery; S = Sculpture. Coins are numbered with the year of discovery and a running number, or year, C, and a running number. Currently (Feb. 2020) this doesn't give a complete list, only the first 99 entries; to find a specific CATNUM, please use the full-text search at the top of the page.

Select a historical period from the (alphabetical) list below. Note that periods are defined culturally rather than politically, so Lydian (rather than Archaic) refers to the period ca. 800 BC - ca. 547 BC; Late Lydian or Persian (rather than Late Archaic or Classical) from ca. 547 until ca. 330 BC; Hellenistic until the earthquake of 17 AD; Roman and Late Roman continue until the early 7th century AD, except for coins where, as traditional, Prof. Evans begins the Byzantine period in the 6th century.

Select a publication name from the list below. LATW = Lydians and Their World (2010). R2 = Hanfmann and Ramage, Sculpture from Sardis (1978). R8 = A. Ramage, N.H. Ramage, ve Gül Gürtekin-Demir, Sardis R8: Ordinary Lydians at Home: The Lydian Trenches of the House of Bronzes and Pactolus Cliff at Sardis (2021). M10 = Schaeffer, Ramage, and Greenewalt, The Corinthian, Attic, and Pottery from Sardis (1997). M13 = Evans, Coins from the Excavations at Sardis, 1973-2013 (2018). M14 = Petzl, Sardis: Greek and Latin Inscriptions, Part II (2019).

Select a site from the list below.

The stratigraphic contexts (findspots) of artifacts from Sardis are recorded at different levels of specificity. Sector is the most general, referring to a broad area of the city. Trenches are yearly excavation areas (in current usage) or more specific areas of sectors (in early records which used a different excavation system). A Locus is a single stratigraphic unit, i.e. a single deposit of soil, a destruction level, a grave, a dump or other deposit. For instance, MMS-I 84.1 Locus 34 is the destruction level from one room of a Lydian house just inside the fortification wall in sector MMS, containing a rich deposit of Lydian pottery and other artifacts. Note that loci can be continued over a number of years, and so belong to different trenches, if the same stratigraphic unit is excavated over a number of years. For a list of sectors see Hanfmann and Waldbaum, A Survey of Sardis and the Major Monuments Outside the City Walls (Sardis R1, 1975), 13-16. Currently (2020) in order to search for a specific locus, you must search for Trench first to narrow the results, and then search within that for the locus. Sorry.

The stratigraphic contexts (findspots) of artifacts from Sardis are recorded at different levels of specificity. Sector is the most general, referring to a broad area of the city. Trenches are yearly excavation areas (in current usage) or more specific areas of sectors (in early records which used a different excavation system). A Locus is a single stratigraphic unit, i.e. a single deposit of soil, a destruction level, a grave, a dump or other deposit. For instance, MMS-I 84.1 Locus 34 is the destruction level from one room of a Lydian house just inside the fortification wall in sector MMS, containing a rich deposit of Lydian pottery and other artifacts. Note that loci can be continued over a number of years, and so belong to different trenches, if the same stratigraphic unit is excavated over a number of years. For a list of sectors see Hanfmann and Waldbaum, A Survey of Sardis and the Major Monuments Outside the City Walls (Sardis R1, 1975), 13-16. Currently (2020) in order to search for a specific locus, you must search for Trench first to narrow the results, and then search within that for the locus. Sorry.

The stratigraphic contexts (findspots) of artifacts from Sardis are recorded at different levels of specificity. Sector is the most general, referring to a broad area of the city. Trenches are yearly excavation areas (in current usage) or more specific areas of sectors (in early records which used a different excavation system). A Locus is a single stratigraphic unit, i.e. a single deposit of soil, a destruction level, a grave, a dump or other deposit. For instance, MMS-I 84.1 Locus 34 is the destruction level from one room of a Lydian house just inside the fortification wall in sector MMS, containing a rich deposit of Lydian pottery and other artifacts. Note that loci can be continued over a number of years, and so belong to different trenches, if the same stratigraphic unit is excavated over a number of years. For a list of sectors see Hanfmann and Waldbaum, A Survey of Sardis and the Major Monuments Outside the City Walls (Sardis R1, 1975), 13-16. Currently (2020) in order to search for a specific locus, you must search for Trench first to narrow the results, and then search within that for the locus. Sorry.

Showing 10632 results for:  
  • Lower Portion of a Male Head
    Lower Portion of a Male Head

    R2 Cat. 90

    Sculpture

    Marble, Stone

    2nd half of 2nd C. AD (Roman)

    The portrait shows an elderly man. Although the head is severely damaged, fine workmanship can still be observed: e.g. the inner corner of the r. eye, with carefully chiseled tear duct and lower lid; smooth surface of the r. cheek and modeling to sho...

  • Face and Neck Fragments of Female Head
    Face and Neck Fragments of Female Head

    R2 Cat. 91

    Sculpture

    Marble, Stone

    3rd C. AD (Roman)

    A. The hair lies in three wavy rows separated by deep drill runs, crossed by little bridges in regular intervals, thus making an independent pattern. The locks are done with a chisel and then incised with a very fine point to make parallel wavy stran...

  • Head of a Bearded Man
    Head of a Bearded Man

    R2 Cat. 92

    Sculpture

    Marble, Stone

    Late 3rd C. AD (Roman)

    The face is framed by the beard and the hair, which falls in short curls high on the man’s forehead. There are three separate masses of hair here, one in the center made up of two separate tiers, and two at the sides. All are articulated with running...

  • Head of Priest
    Head of Priest

    R2 Cat. 93

    Sculpture

    Marble, Stone

    Tetrarchic (Roman)

    A man with beard and moustache, and a heavy crown of hair, wears a diadem with twelve heads on it, indicating that he is a priest. The heads are attached to a fillet bound around the man’s head. The hair is brushed forward onto the forehead. On his l...

  • Fragmentary Male Head
    Fragmentary Male Head

    R2 Cat. 94

    Sculpture

    Marble, Stone

    Early 6th C. (Roman)

    The head shows a man with long, wavy locks which end in spiral curls; individual strands are indicated by incisions. The hair is badly weathered, but near the top of the beard two rows of these curls can be discerned. The cheeks are extremely smooth,...

  • Over-Lifesize Portrait of a Man
    Over-Lifesize Portrait of a Man

    R2 Cat. 95

    Sculpture

    Marble, Stone

    Early 6th C. (Roman)

    The head is worked in one piece with the neck for insertion into the statue. The underside of the neck and collar is carved on a curving slant, and with very rough chiseling. The back of the head and neck have been summarily cut with a flat chisel, s...

  • Head of Persian or Amazon
    Head of Persian or Amazon

    R2 Cat. 96

    Sculpture

    Marble, Stone

    (Hellenistic)

    The head is turned and tilted slightly upwards and to its r. It is unclear whether this was originally part of a relief; the r. side is in part broken away and in part left unfinished, suggesting that it was. The cap is shown as soft material with cr...

  • Wreathed Female Head
    Wreathed Female Head

    R2 Cat. 97

    Sculpture

    Marble, Stone

    (Hellenistic)

    The head, tilted slightly upward and to her l., is crowned by a wreath of leaves tied back with a bow. The hair has a central part which continues all the way to the back. Waves at both sides reveal ear lobes. Pupils and irises are not indicated but ...

  • Head of a Woman
    Head of a Woman

    R2 Cat. 98

    Sculpture

    Marble, Stone

    Hellenistic? (Hellenistic or Roman)

    The small head is framed by heavy hair, parted in the middle and pulled in gentle waves to back of head. Two round flowers at top (r. one is missing) were bound together, perhaps by a braid of hair. Two leaves also are carved with each flower. Rims a...

  • Head of a Woman
    Head of a Woman

    R2 Cat. 99

    Sculpture

    Marble, Stone

    Hellenistic? (Hellenistic or Roman)

    A miniature female head with diadem worn in hair, which has a central part continuing to back of head. Waves are chiseled in rather linear fashion. The l. ear projects from under hair. Face is classical with long narrow eyes, soft and Praxitelean, wh...

  • Female Head with Crown
    Female Head with Crown

    R2 Cat. 100

    Sculpture

    Marble, Stone

    (Hellenistic)

    Thick heavy hair, parted in middle, flows out to the sides in waves which push right ear forward and partly cover left ear. Of the loose tresses only a small portion of one is preserved behind right ear. Waves at back of head, incised with less care,...

  • Female Head Fragment
    Female Head Fragment

    R2 Cat. 101

    Sculpture

    Marble, Stone

    2nd half of 3rd C. AD (Roman)

    The oblique position of the face suggests a relief. Possibly she is a personification or goddess looking toward a central scene. The eyes are asymmetrical, the pupils circumscribed by incision, irises drilled as near-lozenges. In the corners of the e...