R2 Cat. 114
Sculpture
Marble, Stone
Late Hellenistic or early Roman (Hellenistic or Roman)
The lion skin tied on the chest is summarily rendered on the back like a cloak. Crude abrasive is used. R. arm was raised, l. lowered. Surface at hips very smooth, with round drilled hole (W. 0.009; D. 0.007; narrower hole within, D. 0.007), showing ...
R2 Cat. 115
Sculpture
Marble, Stone
2nd C. AD (Roman)
Lion skin is tied on chest and falls diagonally in back towards proper l. hip, where it was held by l. hand resting on hip. R. arm was stretched forward.
Body and stance are Polykleitan, and the torso and stomach are well modeled. Drill work, especial...
R2 Cat. 116
Sculpture
Marble, Stone
3rd C. AD (Roman)
The exaggerated musculature of the chest and abdomen of this nude figure is emphasized by the shift of weight onto the proper r. leg, the r. hip thrown out. The fisted r. hand rests on the back of the hip. These features, combined with the fold of dr...
R2 Cat. 117
Sculpture
Marble, Stone
1st or early 2nd C. AD (Roman)
Nebris of satyr is tied over r. shoulder. He was dancing, with l. leg forward and crossing the r., and r. arm raised above his head, as is clear from the stump of shoulder. Upper part of torso does not show marked twist, however. Entire back is unfin...
R2 Cat. 118
Sculpture
Marble, Stone
Hadrianic (Roman)
Satyr wears a nebris with goat head and foot hanging in front over his l. shoulder, where it is bound with a clasp. R. foot is slung over his shoulder in back. Upper edge of goatskin, doubled over and hanging loosely, is plastically modeled. The back...
R2 Cat. 119
Sculpture
Marble, Stone
2nd C. or 3rd C. AD? (Roman)
The head is turned to its r. The open mouth is gracefully curved. Inner corners of eyes are set deeply under the heavy brow. It has pointed satyr ears. The hair is in locks brushed loosely away from face, separated by wide, deep channels. A fillet is...
R2 Cat. 120
Sculpture
Marble, Stone
Hadrianic or early Antonine (Roman)
The nude god with weight on r. leg, l. shoulder slightly drawn back is modeled on a 4th C. Praxitelean type. Long wavy locks fall on both shoulders.
Very competent well-modeled, well-polished work. Systematic but restrained use of stop-and-go running ...
R2 Cat. 121
Sculpture
Marble, Stone
2nd C. AD (Roman)
Dionysus, standing frontally, is accompanied at his r. by a recumbent panther and a satyr, whose feet only are preserved. A round broken stump in front of the l. foot of Dionysus suggests that he carried a thyrsus in his l. hand. His long hair falls ...
R2 Cat. 122
Sculpture
Marble, Stone
3rd or 4th C. AD (Roman)
Dionysus stands with his feet planted firmly on the ground, his weight distributed evenly. At his r. is a seated panther, his front l. paw raised and resting on an outcrop of the stone base. His head is missing. At the l. of Dionysus stood a satyr. F...
R2 Cat. 123
Sculpture
Marble, Stone
3rd C. AD (Roman)
The leg, large and well-modeled, is worked in one piece with a hefty tree trunk. The front of the tree trunk is covered with winding grape vine, the back is smoothed by a flat chisel plus abrasive. The leg, too, though smoother, shows similar rough a...
R2 Cat. 124
Sculpture
Marble, Stone
1st C. AD (Roman)
Lower part of a triton has a twisting tail set at an angle to the plinth. It curves in two directions and turns in on itself. Front of upper tail is covered with four rows of large overlapping leaf-like scales with slightly ridged surfaces. Inner sid...
R2 Cat. 125
Sculpture
Marble, Stone
Hadrianic (Roman)
Asklepios stands with weight on I. leg, r. leg bent, I. hand on hip. His head was turned slightly to proper r. He wears sandals with closed heels; a cloak falls over his I. shoulder, is drawn across both hips and held by I. hand, leaving most of tors...