R2 Cat. 54
Sculpture
Marble, Stone
Late Hellenistic (Hellenistic)
The figure stands with the right knee bent and the leg drawn back. This leg is clearly revealed by the clinging drapery, while the other leg is totally obscured. The peplos is carefully carved on all sides, although the folds are deeper on the front ...
R2 Cat. 55
Sculpture
Marble, Stone
(Hellenistic or Roman)
The woman stands with l. foot forward slightly, her weight on the r. leg. The overfold of the himation is attached at her r. shoulder, and hangs in diagonal folds to her upper thighs. The pattern is elaborated by two nearly symmetrical falls of drape...
R2 Cat. 56
Sculpture
Marble, Stone
(Hellenistic or Roman)
The greatly attenuated figure wears a peplos girt just beneath her breasts. Two long broad folds fall from r. arm to feet, with zigzag folds on the surface. The lower garment has deep, swallow-tail folds. The r. leg, drawn back, is revealed; the l. l...
R2 Cat. 57
Sculpture
Marble, Stone
(Hellenistic or Roman)
The l. leg is slightly advanced, the knee pulling the drapery forward. The himation stops just below the knees. The drapery is gathered over the l. arm and falls in rich folds at her l. side, and there is also a long vertical fold at her r. side. Acr...
R2 Cat. 58
Sculpture
Marble, Stone
1st C. BC or AD (Hellenistic or Roman)
She wears a thin chiton with vertical wavy folds over r. shoulder and breast; an incised line for the seam runs from the neckline down r. arm. Heavier drapery of himation sweeps diagonally across the front, r. armpit to l. shoulder, with the loose en...
R2 Cat. 59
Sculpture
Marble, Stone
1st half of 1st C. AD (Roman)
The heavily draped woman stands with weight on her l. leg, r. knee forward, r. foot drawn back. The l. hip is thrown out sideways, the shoulders back. Her chiton has five buttons on the r. sleeve. A himation is flung over her l. shoulder, where the e...
R2 Cat. 60
Sculpture
Marble, Stone
1st or 2nd C. AD (Roman)
The figure wears a chiton, tied beneath the breasts by a belt, in a double knot. A second, heavier garment, the himation, was slung across her hips, and the end of it can be seen hanging over her l. shoulder.
The same arrangement of dress is seen here...
R2 Cat. 61
Sculpture
Marble, Stone
Late 1st-early 2nd C. AD (Roman)
The woman, draped in a peplos, stands with her weight on her straight l. leg; her r. one is bent at the knee and drawn back slightly. The drapery clings to both legs, clearly revealing their forms, but falls in heavy contrasting folds between the leg...
R2 Cat. 62
Sculpture
Marble, Stone
1st Half of 2nd C. AD (Roman)
The figure wears an ungirt peplos with short sleeves; Hanfmann and Polatkan suggest (Three Sculptures, 65) that this may be a priestess of Artemis, although the dress is quite different from Moschine (Cat. 246, Figs. 426-427), the only known priestes...
R2 Cat. 63
Sculpture
Marble, Stone
2nd half of 2nd C. AD (Roman)
Heavy diagonal folds of the himation are contrasted with deep-cut vertical folds of the chiton. The l. leg is drawn back, and is totally revealed beneath the drapery, which is practically non-existent at this point. The largely regular folds of the c...
R2 Cat. 64
Sculpture
Marble, Stone
2nd C. AD? (Roman)
The l. leg is forward, the knee projecting and pulling the chiton with it. The folds of the chiton, mostly vertical, but curving over the l. foot, range from deeply cut to quite shallow. Heavy, sweeping diagonal folds of the himation can be seen on t...
R2 Cat. 65
Sculpture
Marble, Stone
2nd C. AD? (Roman)
The lower part of a heavy woolen cloak goes in a curving diagonal across the chiton, sweeping over the feet. The r. leg was drawn back, pulling the chiton with it. There are deep vertical drill runs in the chiton, whereas the himation has broad smoot...