R2 Cat. 25A
Sculpture
Marble, Stone
450-350 BC (Late Lydian (Persian))
In the following description, the pair which now bears Manisa museum no. 4031 (S63.037A) will be designated as lions A and B, that with no. 4030 (S63.037B) as C and D. In the view of 4031 which shows the lions’ tails (Fig. 92) lion A is on the left, ...
R2 Cat. 25B
Sculpture
Marble, Stone
450-350 BC (Late Lydian (Persian))
In the following description, the pair which now bears Manisa museum no. 4031 (S63.037A) will be designated as lions A and B, that with no. 4030 (S63.037B) as C and D. In the view of 4031 which shows the lions’ tails (Fig. 92) lion A is on the left, ...
R2 Cat. 26
Sculpture
Marble, Stone
600-570 BC (Lydian)
The recumbent lion lies on a plinth which projects slightly beyond the sides of the animal and is square in front and oval behind. Both pairs of the lion’s feet point forward, and its large flat-topped head is held level. The mouth is open in a roar ...
R2 Cat. 27
Sculpture
Sandstone, Stone
Ca. 570-560 BC (Lydian)
The two and one half recumbent lions (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was determined at ...
R2 Cat. 28
Sculpture
Sandstone, Stone
570-560 BC (Lydian)
The two and one half recumbent lions which follow (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was d...
R2 Cat. 29
Sculpture
Sandstone, Stone
570-560 BC (Lydian)
The two and one half recumbent lions which follow (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was d...
R2 Cat. 30
Sculpture
Marble, Stone
560-550 BC (Lydian)
The lion lies on a shallow plinth which follows his shape. The tail comes up over the rump and curls in, tucked between the r. knee and body, then blends into the rump at back. The feet are carefully worked, showing the claws. The back and legs are w...
R2 Cat. 31
Sculpture
Marble, Stone
Ca. 560-550 (Lydian)
The recumbent archaic lion on a plinth has a tail starting as a faint “fat sheep” rise with dividing pattern. It is slung up over the l. hind leg. The head faces forward with mouth open and tongue lying flat. Deeply grooved whiskers are delineated by...
R2 Cat. 32
Sculpture
Marble, Stone
Ca. 560-550 BC (Lydian)
The leg and paw from a reclining lion are extended flat on the worked surface of a base. There are large flat chisel strokes on the leg, which is finished with multiple chisel cross strokes. The exterior of the base shows large point and gouge. Acco...
R2 Cat. 33
Sculpture
Marble, Stone
Ca. 550 BC? (Lydian)
The front of the plinth is flat. The surface is covered with claw chisel marks. The leg and paw appear to be lying flat on the surface of the plinth and are, therefore, from a reclining lion. The workmanship is all flat chisel on the claws and base. ...
R2 Cat. 34
Sculpture
Marble, Stone
550-530 BC (Late Lydian (Persian))
The recumbent lioness is roaring. A collar mane frames her face below the ears. The very linear, triangular, incised locks are lancet-like on the mane, leaf-like on the chest. The tail is slung over the r. hindquarter. Large hind paws with toes are i...
R2 Cat. 35
Sculpture
Marble, Stone
Ca. 540 BC (Late Lydian (Persian))
The outline of the lion's foreleg is linear as is the rendering of the hair, with incised laurel-leaf-shaped locks for the chest mane. The tail goes under and around the l. haunch, as in Cat. 31 (Fig. 119). There is a fold of flesh at the hock of the...