R2 Cat. 23
Sculpture
Marble, Stone
Ca. 580-560 BC (Lydian)
The lion is conceived as one, not two beasts; he has only one tail. Frontally viewed, the two legs are separated by “background,” ca. 0.06 W., thicker (0.075) below the belly. The lion has a broad mane of plastically rendered, overlapping curls which...
R2 Cat. 24
Sculpture
Marble, Stone
6th-5th C. BC (Lydian)
From preserved neck and shoulder it is clear that the lion sat with legs vertical, like the Perachora lion (Boston Museum of Fine Arts no. 97.289, Caskey, Catalogue Boston MFA, 15ff.) or the Metropolitan Sardis lion (Cat. 235 Figs. 405-406), roaring ...
R2 Cat. 26
Sculpture
Marble, Stone
600-570 BC (Lydian)
The recumbent lion lies on a plinth which projects slightly beyond the sides of the animal and is square in front and oval behind. Both pairs of the lion’s feet point forward, and its large flat-topped head is held level. The mouth is open in a roar ...
R2 Cat. 27
Sculpture
Sandstone, Stone
Ca. 570-560 BC (Lydian)
The two and one half recumbent lions (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was determined at ...
R2 Cat. 28
Sculpture
Sandstone, Stone
570-560 BC (Lydian)
The two and one half recumbent lions which follow (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was d...
R2 Cat. 29
Sculpture
Sandstone, Stone
570-560 BC (Lydian)
The two and one half recumbent lions which follow (Cat. 27, Cat. 28, Cat. 29 Figs. 105-117) are from the altar of Kuvava (H. 1.73; L. 3.10; W. 2.05) in the sector PN. They are of very crumbly sandstone. A sample of Cat. 28 (taken Aug. 14, 1975) was d...
R2 Cat. 30
Sculpture
Marble, Stone
560-550 BC (Lydian)
The lion lies on a shallow plinth which follows his shape. The tail comes up over the rump and curls in, tucked between the r. knee and body, then blends into the rump at back. The feet are carefully worked, showing the claws. The back and legs are w...
R2 Cat. 31
Sculpture
Marble, Stone
Ca. 560-550 (Lydian)
The recumbent archaic lion on a plinth has a tail starting as a faint “fat sheep” rise with dividing pattern. It is slung up over the l. hind leg. The head faces forward with mouth open and tongue lying flat. Deeply grooved whiskers are delineated by...
R2 Cat. 32
Sculpture
Marble, Stone
Ca. 560-550 BC (Lydian)
The leg and paw from a reclining lion are extended flat on the worked surface of a base. There are large flat chisel strokes on the leg, which is finished with multiple chisel cross strokes. The exterior of the base shows large point and gouge. Acco...
R2 Cat. 33
Sculpture
Marble, Stone
Ca. 550 BC? (Lydian)
The front of the plinth is flat. The surface is covered with claw chisel marks. The leg and paw appear to be lying flat on the surface of the plinth and are, therefore, from a reclining lion. The workmanship is all flat chisel on the claws and base. ...
R2 Cat. 37
Sculpture
Marble, Stone
Late 6th or 5th C. BC (Lydian)
The piece has an interesting stylization of the upper parts of the lion’s claws as a flat band and a similarly ornamental flat band at the back of the leg. The paw is well modeled with high rounded forms of toes. No rough drill was used. It is not a ...
R2 Cat. 230
Sculpture
Marble, Stone
600-550 BC (Lydian)
The square joints at the sides are preserved. The flat moulding is similar to but thinner than that above the relief on Cat. 231 (Fig. 401). In Cat. 230, it runs horizontally below the frieze as a ground line. The relief shows a row of three grazing ...