R2 Cat. 85
Sculpture
Marble, Stone
2nd C. AD (Roman)
The preserved surfaces of the rounded segment are highly polished. The finish resembles that of Antoninus Pius.
Fragments Cat. 80, Cat. 81, Cat. 82, Cat. 83, Cat. 84, Cat. 85, Cat. 86 and Cat. 87 (Figs. 198-200) may belong to the colossal statue of A...
R2 Cat. 86
Sculpture
Marble, Stone
2nd C. AD (Roman)
The preserved surface shows a hollow between two parts of the chest or shoulder blades or spine. The finish resembles that of the Antoninus Pius statue.
Fragments Cat. 80, Cat. 81, Cat. 82, Cat. 83, Cat. 84, Cat. 85, Cat. 86 and Cat. 87 (Figs. 198-20...
R2 Cat. 87
Sculpture
Marble, Stone
2nd C. AD (Roman)
The fragment shows the join at a right angle of two nude rounded large parts. According to F. Prascsaits of the Ephesus Expedition, this is part of abdomen and part of upper l. thigh which is at right angle to body. This would be conclusive proof tha...
R2 Cat. 88
Sculpture
Marble, Stone
2nd C. AD (Roman)
The slightly aquiline, wide nose has a deeply cut nostril. The eye corner is separated from lower lid by chiseled ledge. Lower lid goes without interruption into the cheek.
If the fragment belonged to the head of Antoninus, the wrinkle leading down fr...
R2 Cat. 89
Sculpture
Marble, Stone
(Roman)
This fragmentary head was a portrait of a young woman. The brow is made by a sharp angle, yet implies the bone structure beneath, particularly near the temples. The eyes are well modeled, with a flesh-like upper lid and a fold between lid and brow. T...
R2 Cat. 90
Sculpture
Marble, Stone
2nd half of 2nd C. AD (Roman)
The portrait shows an elderly man. Although the head is severely damaged, fine workmanship can still be observed: e.g. the inner corner of the r. eye, with carefully chiseled tear duct and lower lid; smooth surface of the r. cheek and modeling to sho...
R2 Cat. 91
Sculpture
Marble, Stone
3rd C. AD (Roman)
A. The hair lies in three wavy rows separated by deep drill runs, crossed by little bridges in regular intervals, thus making an independent pattern. The locks are done with a chisel and then incised with a very fine point to make parallel wavy stran...
R2 Cat. 92
Sculpture
Marble, Stone
Late 3rd C. AD (Roman)
The face is framed by the beard and the hair, which falls in short curls high on the man’s forehead. There are three separate masses of hair here, one in the center made up of two separate tiers, and two at the sides. All are articulated with running...
R2 Cat. 93
Sculpture
Marble, Stone
Tetrarchic (Roman)
A man with beard and moustache, and a heavy crown of hair, wears a diadem with twelve heads on it, indicating that he is a priest. The heads are attached to a fillet bound around the man’s head. The hair is brushed forward onto the forehead. On his l...
R2 Cat. 94
Sculpture
Marble, Stone
Early 6th C. (Roman)
The head shows a man with long, wavy locks which end in spiral curls; individual strands are indicated by incisions. The hair is badly weathered, but near the top of the beard two rows of these curls can be discerned. The cheeks are extremely smooth,...
R2 Cat. 95
Sculpture
Marble, Stone
Early 6th C. (Roman)
The head is worked in one piece with the neck for insertion into the statue. The underside of the neck and collar is carved on a curving slant, and with very rough chiseling. The back of the head and neck have been summarily cut with a flat chisel, s...
R2 Cat. 96
Sculpture
Marble, Stone
(Hellenistic)
The head is turned and tilted slightly upwards and to its r. It is unclear whether this was originally part of a relief; the r. side is in part broken away and in part left unfinished, suggesting that it was. The cap is shown as soft material with cr...