R2 Cat. 73
Sculpture
Marble, Stone
(Roman)
The shoulder strap of the cuirass is decorated in relief with the figure of Aeneas carrying Anchises on his shoulder. Their heads are missing, and the lower part of Aeneas’ body, as well as his r. arm. His l. hand can be seen around the far side of A...
R2 Cat. 74
Sculpture
Marble, Stone
Hadrianic (Roman)
The nude male had r. arm raised, holding a wide ribbon, the tasseled end of which is preserved on l. shoulder; hence an anadoumenos. The position of the neck shows the head was turned slightly to proper r. and forward. A trace of a rectangular strut ...
R2 Cat. 75
Sculpture
Marble, Stone
Later Flavian or early 2nd C. AD (Roman)
Movement of figure was to proper l. Only abdomen, r. hip, and pubic hair are preserved. Seating for a short pinhole to attach penis is within pubic hair. Navel, which does not come on center axis, but has a very naturalistic skinfold over it. The fat...
R2 Cat. 76
Sculpture
Marble, Stone
Julio-Claudian (Roman)
Despite the damaged surface, many details of the features can still be seen. The eyes are deeply inset, especially at the corners. The brows are heavy. Although the nose is missing, the base of the nostrils can still be seen and also the folds from t...
R2 Cat. 77
Sculpture
Marble, Stone
Late 1st C. AD (Roman)
The l. eye has a smooth surface, with no pupil or iris marked, and a carefully worked lid. The inner corner, with tear duct, is especially fine. The eyebrow is gently angled. Outer corners of the mouth were made with a small drill; a narrow groove se...
R2 Cat. 78
Sculpture
Marble, Stone
Ca. 120 AD? (Roman)
The portrait shows a lady wearing a diadem and a veil which hangs down on both sides of the head in several folds. The back of the veil is only very roughly worked, suggesting that the piece was intended for display against a wall.
The piece is mounte...
R2 Cat. 79
Sculpture
Marble, Stone
2nd C. AD (Roman)
In the top of the head is a lozenge-shaped cutting ca. 0.20 by 0.12, ca. 0.04 deep, done with oblique strokes of large point. The “dowel” hole may be for insertion of rough stone peg, irregularly tapering downward from 0.065 at top to 0.025 at bottom...
R2 Cat. 80
Sculpture
Marble, Stone
Ca. 140 AD (Roman)
Inside chiseled in curve and rough-pointed to fit a core or another piece. The plastic mass of locks rises ca. 0.12-0.15 above original skin line. Abundant use of whirling drill pattern, deeply drilled and gouged holes, circular and triangular.
F. Pra...
R2 Cat. 81
Sculpture
Marble, Stone
2nd C. AD (Roman)
As E. Gombosi pointed out, this is the l. back part of the head, as indicated by the direction of the locks. Zone of locks above diadem is worked only with chisel; diadem shows claw chisel in some places. Below diadem strongly raised locks with much ...
R2 Cat. 82
Sculpture
Marble, Stone
2nd C. AD (Roman)
Part of l. hand with stumps of the little, the fourth and the third fingers, bent as if grasping an attribute. Fine veins are indicated by angular rises under the skin. Position of the hand will fit a scepter or lance; cf. of the hand of the colossus...
R2 Cat. 83
Sculpture
Marble, Stone
2nd C. AD (Roman)
According to E. H. Kohler, anthropologist for the expedition in 1961, the piece comprises the lower portion of the knee to part way down the calf.
Fragments Cat. 80, Cat. 81, Cat. 82, Cat. 83, Cat. 84, Cat. 85, Cat. 86 and Cat. 87 (Figs. 198-200) may...
R2 Cat. 84
Sculpture
Marble, Stone
2nd C. AD (Roman)
The piece is possibly part of an arm or thigh.
Fragments Cat. 80, Cat. 81, Cat. 82, Cat. 83, Cat. 84, Cat. 85, Cat. 86 and Cat. 87 (Figs. 198-200) may belong to the colossal statue of Antoninus Pius (Cat. 79 Figs. 196-197) and date to ca. A.D. 140.