R2 Cat. 49
Sculpture
Marble, Stone
Later 5th or 4th C. BC? (Late Lydian (Persian)?)
The carefully cut ornament includes part of a downward-pointed lotus with five thin leaves, a concave leaf-like ending to the lower part of a volute, and a rounded part above. The finial projected sideways from the shaft. The leaf-like volute end con...
R2 Cat. 50
Sculpture
Marble, Stone
6th C. BC? (Lydian?)
The slab, probably a door lintel rather than a doorjamb, must come from a chamber tomb in the mound. It is decorated on one side with two connected spirals incised within a panel with raised edges. K. J. Frazer observed that the rougher areas outside...
R2 Cat. 51
Sculpture
Marble, Stone
520-500 BC (Late Lydian (Persian))
The tall relief is crisply cut and smoothed. Part of the lotus and the tip of a palmette are at the top l. The central leaf rises to a sharp median ridge, the l. leaf to a less marked one. Found in the top layer of LA 2, the late archaic piece may be...
R2 Cat. 52
Sculpture
Marble, Stone
520-500 BC (Late Lydian (Persian))
The fragment has part of a double lotus with five (?) leaves arching over a large seven-petalled palmette between two Ionic volutes (only the l. preserved). A smaller downward-pointed palmette has five petals. The floral decoration is on a straight f...
R2 Cat. 53
Sculpture
Marble, Stone
(Hellenistic)
The lady wears a high-girt chiton, tied beneath the breasts with a ribbon belt ending in a double knot. The diagonal folds of the bound-up cloth of the himation are slung across her hips. The banded border at the neckline of the chiton comes to a sli...
R2 Cat. 54
Sculpture
Marble, Stone
Late Hellenistic (Hellenistic)
The figure stands with the right knee bent and the leg drawn back. This leg is clearly revealed by the clinging drapery, while the other leg is totally obscured. The peplos is carefully carved on all sides, although the folds are deeper on the front ...
R2 Cat. 55
Sculpture
Marble, Stone
(Hellenistic or Roman)
The woman stands with l. foot forward slightly, her weight on the r. leg. The overfold of the himation is attached at her r. shoulder, and hangs in diagonal folds to her upper thighs. The pattern is elaborated by two nearly symmetrical falls of drape...
R2 Cat. 56
Sculpture
Marble, Stone
(Hellenistic or Roman)
The greatly attenuated figure wears a peplos girt just beneath her breasts. Two long broad folds fall from r. arm to feet, with zigzag folds on the surface. The lower garment has deep, swallow-tail folds. The r. leg, drawn back, is revealed; the l. l...
R2 Cat. 57
Sculpture
Marble, Stone
(Hellenistic or Roman)
The l. leg is slightly advanced, the knee pulling the drapery forward. The himation stops just below the knees. The drapery is gathered over the l. arm and falls in rich folds at her l. side, and there is also a long vertical fold at her r. side. Acr...
R2 Cat. 58
Sculpture
Marble, Stone
1st C. BC or AD (Hellenistic or Roman)
She wears a thin chiton with vertical wavy folds over r. shoulder and breast; an incised line for the seam runs from the neckline down r. arm. Heavier drapery of himation sweeps diagonally across the front, r. armpit to l. shoulder, with the loose en...
R2 Cat. 59
Sculpture
Marble, Stone
1st half of 1st C. AD (Roman)
The heavily draped woman stands with weight on her l. leg, r. knee forward, r. foot drawn back. The l. hip is thrown out sideways, the shoulders back. Her chiton has five buttons on the r. sleeve. A himation is flung over her l. shoulder, where the e...
R2 Cat. 60
Sculpture
Marble, Stone
1st or 2nd C. AD (Roman)
The figure wears a chiton, tied beneath the breasts by a belt, in a double knot. A second, heavier garment, the himation, was slung across her hips, and the end of it can be seen hanging over her l. shoulder.
The same arrangement of dress is seen here...