R2 Cat. 109
Sculpture
Marble, Stone
(Hellenistic)
The child wears an overgarment belted beneath the chest and falling in gentle folds about the top of the legs. The belt continues around to the back, which is slightly less carefully worked. A drooping neckline shows the upper chest. An undergarment ...
R2 Cat. 110
Sculpture
Marble, Stone
1st C AD (Roman)
The archaising head has three rows of corkscrew curls, elongated eyes, a drooping moustache, and heavy beard, with bottom corners broken off. One lock of hair is at each side of head. The rectangular shaft had a horizontal strut on both sides. A hole...
R2 Cat. 111
Sculpture
Marble, Stone
(Hellenistic or Roman)
The nude female had her weight on r. leg, l. leg forward. On outside of r. leg is a trace of an attribute or support. Workmanship is simple but effective. The modeling is somewhat hard, and therefore perhaps Roman but no technical points prove it.
R2 Cat. 112
Sculpture
Marble, Stone
Late Hellenistic or early Roman, possibly Hadrianic (Hellenistic or Roman)
The skirt consists of three central vertical folds (two wide, one narrow), vertical folds also at each side, and gracefully falling shallow arched folds over the fronts of the thighs. This arrangement of the skirt suggests that our figure is an Amazo...
R2 Cat. 113
Sculpture
Marble, Stone
Hellenistic or 1st C. AD (Hellenistic)
She wears a girt “Phidian” peplos arranged with a vertical fold from l. shoulder to the belt. The aegis has a gorgoneion and snakes on the upper and lower rims. Position of neck and hair on r. shoulder shows that the head was turned diagonally to pro...
R2 Cat. 114
Sculpture
Marble, Stone
Late Hellenistic or early Roman (Hellenistic or Roman)
The lion skin tied on the chest is summarily rendered on the back like a cloak. Crude abrasive is used. R. arm was raised, l. lowered. Surface at hips very smooth, with round drilled hole (W. 0.009; D. 0.007; narrower hole within, D. 0.007), showing ...
R2 Cat. 115
Sculpture
Marble, Stone
2nd C. AD (Roman)
Lion skin is tied on chest and falls diagonally in back towards proper l. hip, where it was held by l. hand resting on hip. R. arm was stretched forward.
Body and stance are Polykleitan, and the torso and stomach are well modeled. Drill work, especial...
R2 Cat. 116
Sculpture
Marble, Stone
3rd C. AD (Roman)
The exaggerated musculature of the chest and abdomen of this nude figure is emphasized by the shift of weight onto the proper r. leg, the r. hip thrown out. The fisted r. hand rests on the back of the hip. These features, combined with the fold of dr...
R2 Cat. 117
Sculpture
Marble, Stone
1st or early 2nd C. AD (Roman)
Nebris of satyr is tied over r. shoulder. He was dancing, with l. leg forward and crossing the r., and r. arm raised above his head, as is clear from the stump of shoulder. Upper part of torso does not show marked twist, however. Entire back is unfin...
R2 Cat. 118
Sculpture
Marble, Stone
Hadrianic (Roman)
Satyr wears a nebris with goat head and foot hanging in front over his l. shoulder, where it is bound with a clasp. R. foot is slung over his shoulder in back. Upper edge of goatskin, doubled over and hanging loosely, is plastically modeled. The back...
R2 Cat. 119
Sculpture
Marble, Stone
2nd C. or 3rd C. AD? (Roman)
The head is turned to its r. The open mouth is gracefully curved. Inner corners of eyes are set deeply under the heavy brow. It has pointed satyr ears. The hair is in locks brushed loosely away from face, separated by wide, deep channels. A fillet is...
R2 Cat. 120
Sculpture
Marble, Stone
Hadrianic or early Antonine (Roman)
The nude god with weight on r. leg, l. shoulder slightly drawn back is modeled on a 4th C. Praxitelean type. Long wavy locks fall on both shoulders.
Very competent well-modeled, well-polished work. Systematic but restrained use of stop-and-go running ...