-
North wall with northeast anta pier, showing curvature (looking west).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
-
Marble roof tiles found in Butler excavation.New York, Metropolitan Museum of Art, accession no. 26.50.10.
-
-
South pteroma, eastern end, with columns 6 and 7 and southeast anta (looking east).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
-
Eastern end, columns 6 and 7, before excavation, 1909 (looking west).Howard Crosby Butler Archive, Department of Art and Archaeology, Princeton University
-
Giovanni Battista Borra (1713–1770), sketchbook 1, p. 58, drawing of east porch with columns 10 and 16, and northeast anta pier (looking south). Graphite and ink on wove paper.Hellenic and Roman Library, London, G. Borra sketchbook 1.
-
Giovanni Battista Borra (1713–1770), View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune, ca. 1750. Black ink with gray wash over graphite on laid paper, 20.4 × 31.7 cm (8 1 ⁄ 1 6 × 12 ½ in.).New Haven, Yale Center for British Art, Paul Mellon Collection, B1977.14.959.
-
Giovanni Battista Borra (1713–1770), detail of View of the Theater and Plan of the Ionic Temple at Sardis, ca. 1750. Watercolor with black and brown ink and gray wash over graphite on laid paper, 20.4 × 31.7 cm (8 1 ⁄ 1 6 × 12 ½ in.).New Haven, Yale Center for British Art, Paul Mellon Collection, B1977.14.929.
-
Claude-Charles de Peyssonnel (1727–1790), “Vue d’un ancien Temple de Sardes,” ca. 1750 : sketch of the northeast anta pier, columns 10 (left) and 16 (right) carrying architraves (looking south).From Observations historiques et géographiques sur les peuples barbares qui ont habité les bords du Danube et du Pont-Euxin (Paris: 1765), pl. III.
-
William Page (1794–1872), A Camel Train at the Temple of Cybele, Sardis, ca. 1828. Watercolor over traces of graphite on paper, 36 × 56.5 cm.Courtesy Karen Taylor Fine Art, Ottoman Greece and Turkey: Travels with William Page and Lady Ruthven (sales catalogue, London, 2017), pp. 40–41.
-
François-Michel Préaulx (active 1796–1827), Vue du temple d ’ Artémis á Sardes (Turquie), ca. 1820. Watercolor with ink on paper, 52.3 × 31 cm.Private Collection, Courtesy Galerie Terrades.
-
Harald Jerichau (1852–1878), The Lydian Plain near Sardis, Asia Minor (Turkey), 1878. Oil on canvas, 136.5 × 307 cm.Copenhagen, Statens Museum for Kunst, KMS1107.
