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Clarkson Frederick Stanfield, R.A. (1793–1867), Sardis. One of the Seven Churches, ca. 1835. Water- and bodycolor over pencil on paper, 23.3 × 35.5 cm.London, Victoria and Albert Museum, SD.1000.
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Mr. Maude, Sardis, ca. 1830–1835. Brown wash over pencil on paper, 24.9 × 29.4 cm.London, Victoria and Albert Museum, SD.639.
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South wall, western end, south face with exposed foundations, detail showing edge dowels (looking north).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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Fragment of unfluted column drum southeast of the temple, with dowel casing in place.©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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East door, with east wall interior (west) face (looking northeast).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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Unfluted column drum from southwestern end of the temple, with round central anathyrosis and a pair of square dowel holes, one with bronze casing preserved.©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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Belevi Tomb, column drums, with dowel holes.Courtesy S. Ladstätter, Österreichisches Archäologisches Institut.
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Fluted column drum from northwestern end of temple: square central hole and central anathyrosis.©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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Eastern end of the south wall showing column 18 and mortared-rubble foundations (looking north).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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South wall, eastern end and southeast anta (looking north).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
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South wall, western end, and column foundation 49 (looking east), illustrating the clear difference between the Hellenistic and the Roman construction.©Archaeological Exploration of Sardis/President and Fellows of Harvard College
