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Giovanni Battista Borra (1713–1770), View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune, ca. 1750. Black ink with gray wash over graphite on laid paper, 20.4 × 31.7 cm (8 1 ⁄ 1 6 × 12 ½ in.).New Haven, Yale Center for British Art, Paul Mellon Collection, B1977.14.959.
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Giovanni Battista Borra (1713–1770), detail of View of the Theater and Plan of the Ionic Temple at Sardis, ca. 1750. Watercolor with black and brown ink and gray wash over graphite on laid paper, 20.4 × 31.7 cm (8 1 ⁄ 1 6 × 12 ½ in.).New Haven, Yale Center for British Art, Paul Mellon Collection, B1977.14.929.
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Claude-Charles de Peyssonnel (1727–1790), “Vue d’un ancien Temple de Sardes,” ca. 1750 : sketch of the northeast anta pier, columns 10 (left) and 16 (right) carrying architraves (looking south).From Observations historiques et géographiques sur les peuples barbares qui ont habité les bords du Danube et du Pont-Euxin (Paris: 1765), pl. III.
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William Page (1794–1872), A Camel Train at the Temple of Cybele, Sardis, ca. 1828. Watercolor over traces of graphite on paper, 36 × 56.5 cm.Courtesy Karen Taylor Fine Art, Ottoman Greece and Turkey: Travels with William Page and Lady Ruthven (sales catalogue, London, 2017), pp. 40–41.
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François-Michel Préaulx (active 1796–1827), Vue du temple d ’ Artémis á Sardes (Turquie), ca. 1820. Watercolor with ink on paper, 52.3 × 31 cm.Private Collection, Courtesy Galerie Terrades.
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Harald Jerichau (1852–1878), The Lydian Plain near Sardis, Asia Minor (Turkey), 1878. Oil on canvas, 136.5 × 307 cm.Copenhagen, Statens Museum for Kunst, KMS1107.
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C. R. Cockerell (1788–1863), “The Temple of Cybebe at Sardes” (hypothetical plan of the eastern end and east elevation of the Temple of Artemis), 1812.From William Martin Leake, Journal of a Tour in Asia Minor (London: 1824), p. 345.
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C. R. Cockerell (1788–1863), sketch of the Temple of Artemis, Sardis, showing eastern end with columns 7, 6, and 16 (right) (looking southwest), 1812. Graphite on paper, 27 × 41.5 cm. Annotation opposite plate IV of chapter II of Society of Dilettanti, Antiquities of Ionia (London, 1797).Yale Center for British Art, Paul Mellon Collection [Folio A N 128 copy 2, drawing opposite plate "Chap.II.Pl.IV" from Antiquities of Ionia by the Society of Dilettanti with annotations by Charles Robert Cockerell, London, 1769-1915]
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Clarkson Frederick Stanfield, R.A. (1793–1867), Sardis. One of the Seven Churches, ca. 1835. Water- and bodycolor over pencil on paper, 23.3 × 35.5 cm.London, Victoria and Albert Museum, SD.1000.
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Mr. Maude, Sardis, ca. 1830–1835. Brown wash over pencil on paper, 24.9 × 29.4 cm.London, Victoria and Albert Museum, SD.639.
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South wall, western end, south face with exposed foundations, detail showing edge dowels (looking north).©Archaeological Exploration of Sardis/President and Fellows of Harvard College
