Chase, "Field Notes": "On neck, simple maeander, bordered above and below by a single line; on shoulder, ... tongue pattern bordered above and below by a single line, and defining top of main field; at either side of main field, three vertical lines and ... two rows of pellets in regular alternation. Above maeander, a single line runs about the neck; on upper part of foot, similar line; below main field, pair of similar lines. In the main field: female figure (Artemis?) seated on folding stool, right, but with head turned to left. She wears chiton and himation, decorated with a few scattered white and red spots, and in her hair a pellet (right). In her right hand, she holds a branch which extends downward and right. From her shoulders two similar branches rise obliquely. Another extends downward left from just below her right arm; a fifth rises obliquely from the ground under the chair. Four of these branches have a white pellet (berry?) on either side near the middle. The fifth has only one pellet. The left hand of the figure is raised and touches the muzzle of the bull at the right, which has a fillet (right) about his neck. The bull at the left has a similar fillet; his muzzle is marked by a white circle. The legs of the stool are in the form of animals' legs; at the upper end of each and at the point where they cross is a white circle.

"Attic style of 2nd half of 6th C [But here dated ca. 500-480.] Incision rather careless."

Beazley (ABV 524) relates this class to the Athena Painter, on whose dating, see ABL 163. G.M.A. Hanfmann suggested that the female figure may be Europa.