• m10-att-46-10
    (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)
  • m10-att-46-20
    (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)
  • m10-att-46-30
    (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)
  • m10-att-46-40
    (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)
  • m10-att-46-50
    (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)

Attic Black Figure Komast Cup

Dönem
ca. 555 BC, Lidya
Müze
Manisa, Arkeoloji ve Etnografya Müzesi, 7086
Müze Envanter No.
7086
Sardeis veya Müze Env. No.
P84.056
Malzeme
Pişmiş toprak
Eserin Türü
Seramik
Seramiğin Şekli
Komast Kâse
Seramik Mal Grubu
Attika Siyah Figür
Pottery Attribution
Vienna Komast Painter
Yerleşim
Sardis
Alan (Sektör)
MMS
Açma
MMS-I 84.1
Locus
MMS-I 84.1 Locus 34
Koordinatlar
E145.7 - E149 / S67.2 - S70 *100.46 - 100.43
Tanım
Fifty-four fragments of a nearly complete komast cup. The narrow offset lip is decorated with a net pattern, framed by black lines, one at rim and one at offset. On each side of the cup, two komasts, the left one naked and the right one padded, dance between palmettes and tendrils. One rosette decorates the field behind the left komast, on both sides of the cup. Purple added for the hair, tunic, buttock pads, and alternating petals of the rosette and palmette. Three horizontal lines make a border below the figures, and sixty-seven short rays spread above the black foot and into the lower body. The underside of the foot is reserved with a single black circle and dot in the center. The handles are glazed outside and reserved within. Occasional spots and drips of glaze attest to a somewhat sloppy painter, and a gouge on the upper body and lip was painted over as if to hide the defect. The vase for which the Vienna Komast Painter is named is almost identical to Att 46.
Boyutlar
H. 0.072; W. with handles 0.215; diam. at rim 0.145; Th. 0.003.
Yorum
Ayrıca bakınız
Bkz.: LATW Cat. 103
Kaynakça
Published: Ramage, “Attic Cups”; BASOR Suppl. 25 (1987) 28, 29, fig. 13, and 66, fig. 10. For Vienna Komast Painter, , no. K 98, 82--84, pl. 6:d. On the context of this cup within a destroyed Lydian house and the chronological importance of the date yielded by the pottery, see Greenewalt, “Fall of Sardis,” 254--55, n. 15. For another Attic komast, see Att 84; for Corinthian examples of komasts, see Cor 83 and Cor 120; for a Lakonian example, see Lak 5. Lydians and Their World, cat. 103.
Yazar
NHR